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    <title>UAB Music Appreciation Podcast</title>
    <link>http://www.lauranoah.com/Site/Podcast/Podcast.html</link>
    <description>Welcome to the UAB MU120 section 4A Podcast! Here you will find the listening podcasts for the exams plus links to other podcasts and websites that are interesting an relevant to the course.</description>
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      <title>UAB Music Appreciation Podcast</title>
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    <itunes:subtitle>Welcome to the UAB MU120 section 4A Podcast! Here you will find the listening podcasts for the exams plus links to other podcasts and websites that are interesting an relevant to the course.</itunes:subtitle>
    <itunes:summary>Welcome to the UAB MU120 section 4A Podcast! Here you will find the listening podcasts for the exams plus links to other podcasts and websites that are interesting an relevant to the course.</itunes:summary>
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      <title>MU120podcast5</title>
      <link>http://www.lauranoah.com/Site/Podcast/Entries/2010/4/22_MU120podcast5.html</link>
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      <pubDate>Thu, 22 Apr 2010 23:28:11 -0500</pubDate>
      <description>&lt;a href=&quot;http://www.lauranoah.com/Site/Media/itbounce-19.m4a&quot;&gt;&lt;img src=&quot;http://www.lauranoah.com/Site/Podcast/Media/0,12.5,500,500acd4bd1_20a0dddc_ce4317e0_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:157px; height:157px;&quot;/&gt;&lt;/a&gt;Hello and welcome to the final podcast for UAB’s Music Appreciation class.  All listening examples come from the CD set that corresponds with the text. The titles and composers names will be provided.  This podcast only provides short examples of each piece that will be on the test.  Let’s begin.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;1. Prelude To &amp;quot;The Afternoon Of A Faun&amp;quot; by Claude Debussy         (Impressionism)&lt;br/&gt;2. Pierrot Lunaire, No. 18 “Der Mondfleck” by Arnold Schoenberg 	(Expressionism) &lt;br/&gt;3. The Rite Of Spring, Part I, Dance Of The Adolescents by Igor Stravinsky 	(Primitivism)&lt;br/&gt;4. Concerto For Orchestra, IV Interrupted Intermezzo by Bela Bartok&lt;br/&gt;5. Billy The Kid, Street In A Frontier Town by Aaron Copland&lt;br/&gt;6. Maple Leaf Rag by Scott Joplin&lt;br/&gt;7. Billie's Blues by Billie Holiday&lt;br/&gt;8. A Night In Tunisia by Dizzy Gillespie&lt;br/&gt;	1.	 West Side Story, Mambo by Leonard Bernstein&lt;br/&gt;10. West Side Story, &amp;quot;Tonight&amp;quot; Leonard Bernstein&lt;br/&gt;11. Raiders March From Raiders Of The Lost Ark by John Williams</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Laura Noah</itunes:author>
      <itunes:duration>00:11:09</itunes:duration>
      <itunes:subtitle>Hello and welcome to the final podcast for UAB’s Music Appreciation class.  All listening examples come from the CD set that corresponds with the text. The titles and composers names will be provided.  This podcast only provides short examples of e</itunes:subtitle>
      <itunes:summary>Hello and welcome to the final podcast for UAB’s Music Appreciation class.  All listening examples come from the CD set that corresponds with the text. The titles and composers names will be provided.  This podcast only provides short examples of each piece that will be on the test.  Let’s begin.&#13;&#13;&#13;1. Prelude To &quot;The Afternoon Of A Faun&quot; by Claude Debussy         (Impressionism)&#13;2. Pierrot Lunaire, No. 18 “Der Mondfleck” by Arnold Schoenberg 	(Expressionism) &#13;3. The Rite Of Spring, Part I, Dance Of The Adolescents by Igor Stravinsky 	(Primitivism)&#13;4. Concerto For Orchestra, IV Interrupted Intermezzo by Bela Bartok&#13;5. Billy The Kid, Street In A Frontier Town by Aaron Copland&#13;6. Maple Leaf Rag by Scott Joplin&#13;7. Billie's Blues by Billie Holiday&#13;8. A Night In Tunisia by Dizzy Gillespie&#13;	1.	 West Side Story, Mambo by Leonard Bernstein&#13;10. West Side Story, &quot;Tonight&quot; Leonard Bernstein&#13;11. Raiders March From Raiders Of The Lost Ark by John Williams</itunes:summary>
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      <title>MU120podcast4</title>
      <link>http://www.lauranoah.com/Site/Podcast/Entries/2010/4/1_MU120podcast4.html</link>
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      <pubDate>Thu, 1 Apr 2010 09:03:31 -0500</pubDate>
      <description>&lt;a href=&quot;http://www.lauranoah.com/Site/Media/itbounce-15.m4a&quot;&gt;&lt;img src=&quot;http://www.lauranoah.com/Site/Podcast/Media/0,18,180,18030e4d2d1_72e5207f_e0575e9_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:157px; height:157px;&quot;/&gt;&lt;/a&gt;Hello and welcome to the 4th podcast for MU120 section 4.  Contained in this podcast are musical samplings for the listening portion of Exam 4.  Most of the music listed come from your CD set and I have provided mp3 links to music you do not have.  We begin with a piano work by Chopin, Polonaise in A major followed by the March to the Scaffold from Berlioz’s Symphonie Fantastique.&lt;br/&gt;	(music)&lt;br/&gt;Our next example is from the Moldau by Smetena&lt;br/&gt;	(music)&lt;br/&gt;Next is Brahms Symphony No. 3 movement 3&lt;br/&gt;	(music)&lt;br/&gt;We will now listen to two Opera examples, the first is the Aria “La Donna E Mobile” by Verdi followed by Puccini’s Madame Butterfly &lt;br/&gt;	(music)&lt;br/&gt;Next we have a short sample from Strauss’s Don Juan and Tchaikovsky’s Romeo and Juliet.&lt;br/&gt;	(music)&lt;br/&gt;Our last two examples are from Scheherazade by Rimsky-Korsakov and the Overture from the Flying Dutchman by Wagner.&lt;br/&gt;&lt;br/&gt;1. 	Polonaise In A Major, Op. 40, No. 1 &amp;quot;Military&amp;quot; by Chopin&lt;br/&gt;2. 	&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Symphonie%20Fantastique%20movement%201.mp3&quot;&gt;Symphonie Fantastique movement 1&lt;/a&gt;: Reveries-Passions&lt;br/&gt;&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Symphonie%20Fantastique%20movement%202.mp3&quot;&gt;Symphonie Fantastique movement 2&lt;/a&gt;: Un Bal&lt;br/&gt;&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Symphonie%20Fantastique%20movement%203.mp3&quot;&gt;Symphonie Fantastique movement 3&lt;/a&gt;: Scene aux champs&lt;br/&gt;	Symphonie Fantastique mvmt. 4: Marche au Supplice&lt;br/&gt;&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Symphonie%20Fantastique%20movement%205.mp3&quot;&gt;Symphonie Fantastique movement 5&lt;/a&gt;: Songe d'une Nuit du Sabbat &lt;br/&gt;       by Berlioz&lt;br/&gt;&lt;br/&gt;3. 	The Moldau by Smetena&lt;br/&gt;&lt;br/&gt;4. 	Symphony No. 3 In F Major, Op.90 3rd Movement by Brahms&lt;br/&gt;&lt;br/&gt;5. 	Aria, &amp;quot;La Donne E Mobile&amp;quot; by Verdi&lt;br/&gt;6. 	Madame Butterfly &amp;quot;Un Bel Di&amp;quot; by Puccini&lt;br/&gt;&lt;br/&gt;7. 	&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Don%20Juan.mp3&quot;&gt;Don Juan&lt;/a&gt; op. 20 by Strauss&lt;br/&gt;8.	&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Romeo%20and%20Juliet.mp3&quot;&gt;Romeo and Juliet&lt;/a&gt;- Fantasy Overture by Tchaikovsky &lt;br/&gt;	1.	   &lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Scheherazade,%20Op.%2035%20movement%201.mp3&quot;&gt;Scheherazade, Op. 35&lt;/a&gt;: I. The Sea and Sinbad's Ship by Rimsky-Korsakov&lt;br/&gt;&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Scheherazade,%20Op.%2035%20movement%204.mp3&quot;&gt;Scheherazade, Op. 35&lt;/a&gt;: IV. Festival in Bagdad&lt;br/&gt;&lt;br/&gt;10.  Der fliegende Hollander (The Flying Dutchman)-&lt;a href=&quot;Entries/2010/4/1_MU120podcast4_files/Overture.mp3&quot;&gt;Overture&lt;/a&gt; by Wagner</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Laura Noah</itunes:author>
      <itunes:duration>00:18:04</itunes:duration>
      <itunes:subtitle>Hello and welcome to the 4th podcast for MU120 section 4.  Contained in this podcast are musical samplings for the listening portion of Exam 4.  Most of the music listed come from your CD set and I have provided mp3 links to music you do not have.  We beg</itunes:subtitle>
      <itunes:summary>Hello and welcome to the 4th podcast for MU120 section 4.  Contained in this podcast are musical samplings for the listening portion of Exam 4.  Most of the music listed come from your CD set and I have provided mp3 links to music you do not have.  We begin with a piano work by Chopin, Polonaise in A major followed by the March to the Scaffold from Berlioz’s Symphonie Fantastique.&#13;	(music)&#13;Our next example is from the Moldau by Smetena&#13;	(music)&#13;Next is Brahms Symphony No. 3 movement 3&#13;	(music)&#13;We will now listen to two Opera examples, the first is the Aria “La Donna E Mobile” by Verdi followed by Puccini’s Madame Butterfly &#13;	(music)&#13;Next we have a short sample from Strauss’s Don Juan and Tchaikovsky’s Romeo and Juliet.&#13;	(music)&#13;Our last two examples are from Scheherazade by Rimsky-Korsakov and the Overture from the Flying Dutchman by Wagner.&#13;&#13;1. 	Polonaise In A Major, Op. 40, No. 1 &quot;Military&quot; by Chopin&#13;2. 	Symphonie Fantastique movement 1: Reveries-Passions&#13;	Symphonie Fantastique movement 2: Un Bal&#13;	Symphonie Fantastique movement 3: Scene aux champs&#13;	Symphonie Fantastique mvmt. 4: Marche au Supplice&#13;	Symphonie Fantastique movement 5: Songe d'une Nuit du Sabbat &#13;       by Berlioz&#13;	&#13;3. 	The Moldau by Smetena&#13;&#13;4. 	Symphony No. 3 In F Major, Op.90 3rd Movement by Brahms&#13;&#13;5. 	Aria, &quot;La Donne E Mobile&quot; by Verdi&#13;6. 	Madame Butterfly &quot;Un Bel Di&quot; by Puccini&#13;&#13;7. 	Don Juan op. 20 by Strauss&#13;8.	Romeo and Juliet- Fantasy Overture by Tchaikovsky &#13;	1.	   Scheherazade, Op. 35: I. The Sea and Sinbad's Ship by Rimsky-Korsakov&#13;       Scheherazade, Op. 35: IV. Festival in Bagdad&#13;&#13;10.  Der fliegende Hollander (The Flying Dutchman)-Overture by Wagner</itunes:summary>
    </item>
    <item>
      <title>MU120podcast3</title>
      <link>http://www.lauranoah.com/Site/Podcast/Entries/2010/3/1_MU120podcast3.html</link>
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      <pubDate>Mon, 1 Mar 2010 12:19:53 -0600</pubDate>
      <description>&lt;a href=&quot;http://www.lauranoah.com/Site/Media/itbounce-12.m4a&quot;&gt;&lt;img src=&quot;http://www.lauranoah.com/Site/Podcast/Media/0,73.4154,526,5264342f9_5534eee3_8e44e8d1_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:157px; height:157px;&quot;/&gt;&lt;/a&gt;Welcome to the 3rd podcast for UAB’s music appreciation MU120 section 4A.  Provided are musical examples from your CD set along with a few from my own collection.  There are fewer works listed, however, like Exam #2 the test will still consist of 10 examples matching titles with the audio plus providing the names of the composers for each example.  This podcast will provide you with a sampling of what will be on the test.  You will need to listen to the complete work that your CDs provide to study for the test.  Let’s begin.&lt;br/&gt;&lt;br/&gt;We will start with the opening of Beethoven’s famed Symphony No. 5 and continue with a short example from the second, third and fourth movements.  Following the symphony will be a short example of his Moonlight Sonata&lt;br/&gt;&lt;br/&gt;1. Symphony No. 5 in C minor, Op. 67 movement 1 - Beethoven&lt;br/&gt;2. Symphony No. 5 in C minor, Op. 67 movement 2 - Beethoven&lt;br/&gt;3. Symphony No. 5 in C minor, Op. 67 movement 3 - Beethoven&lt;br/&gt;4. Symphony No. 5 in C minor, Op. 67 movement 4 - Beethoven&lt;br/&gt;5. Piano Sonata In C-Sharp Minor, Op. 27, No. 2 &amp;quot;Moonlight&amp;quot;, movement 1 - Beethoven&lt;br/&gt;&lt;br/&gt;Next, we will listen to Mozart’s music beginning with his Piano Concerto in G major, K453, movement 1 followed by the opening of his Symphony No. 39 and Requiem Nos 6 and 7.&lt;br/&gt;&lt;br/&gt;6. Piano Concerto in G major, K 453, movement 1 - Mozart&lt;br/&gt;7. &lt;a href=&quot;Entries/2010/3/1_MU120podcast3_files/Symphony%20No.%2039.mp3&quot;&gt;Symphony No. 39&lt;/a&gt;- 1. Adagio - Allegro - Mozart&lt;br/&gt;8. &lt;a href=&quot;Entries/2010/3/1_MU120podcast3_files/Requiem%20No.%206.mp3&quot;&gt;Requiem No. 6&lt;/a&gt;. Sequence: Confutatis Maledictis - Mozart&lt;br/&gt;9. &lt;a href=&quot;Entries/2010/3/1_MU120podcast3_files/Requiem%20No.%207.mp3&quot;&gt;Requiem No. 7&lt;/a&gt;. Sequence: Lacrimosa - Mozart&lt;br/&gt;&lt;br/&gt;We will finish up this podcast with two selections from Mozart’s comic opera The Marriage of Figaro&lt;br/&gt;&lt;br/&gt;10. Le Nozze Di Figaro, &amp;quot;Non So Piu&amp;quot; - Mozart&lt;br/&gt;11. Le Nozze Di Figaro, &amp;quot;Cosa Sento&amp;quot;</description>
      <enclosure url="http://www.lauranoah.com/Site/Media/itbounce-12.m4a" length="19251125" type="audio/mp4"/>
      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Laura Noah</itunes:author>
      <itunes:duration>00:19:38</itunes:duration>
      <itunes:subtitle>Welcome to the 3rd podcast for UAB’s music appreciation MU120 section 4A.  Provided are musical examples from your CD set along with a few from my own collection.  There are fewer works listed, however, like Exam #2 the test will still consist of 1</itunes:subtitle>
      <itunes:summary>Welcome to the 3rd podcast for UAB’s music appreciation MU120 section 4A.  Provided are musical examples from your CD set along with a few from my own collection.  There are fewer works listed, however, like Exam #2 the test will still consist of 10 examples matching titles with the audio plus providing the names of the composers for each example.  This podcast will provide you with a sampling of what will be on the test.  You will need to listen to the complete work that your CDs provide to study for the test.  Let’s begin.&#13;&#13;We will start with the opening of Beethoven’s famed Symphony No. 5 and continue with a short example from the second, third and fourth movements.  Following the symphony will be a short example of his Moonlight Sonata&#13;&#13;1. Symphony No. 5 in C minor, Op. 67 movement 1 - Beethoven&#13;2. Symphony No. 5 in C minor, Op. 67 movement 2 - Beethoven&#13;3. Symphony No. 5 in C minor, Op. 67 movement 3 - Beethoven&#13;4. Symphony No. 5 in C minor, Op. 67 movement 4 - Beethoven&#13;5. Piano Sonata In C-Sharp Minor, Op. 27, No. 2 &quot;Moonlight&quot;, movement 1 - Beethoven&#13;&#13;Next, we will listen to Mozart’s music beginning with his Piano Concerto in G major, K453, movement 1 followed by the opening of his Symphony No. 39 and Requiem Nos 6 and 7.&#13;&#13;6. Piano Concerto in G major, K 453, movement 1 - Mozart&#13;7. Symphony No. 39- 1. Adagio - Allegro - Mozart&#13;8. Requiem No. 6. Sequence: Confutatis Maledictis - Mozart&#13;9. Requiem No. 7. Sequence: Lacrimosa - Mozart&#13;&#13;We will finish up this podcast with two selections from Mozart’s comic opera The Marriage of Figaro&#13;&#13;10. Le Nozze Di Figaro, &quot;Non So Piu&quot; - Mozart&#13;11. Le Nozze Di Figaro, &quot;Cosa Sento&quot;</itunes:summary>
    </item>
    <item>
      <title>MU120Podcast2</title>
      <link>http://www.lauranoah.com/Site/Podcast/Entries/2010/2/11_MU120Podcast2.html</link>
      <guid isPermaLink="false">d444ae1b-a087-4445-acad-e6a736b4664d</guid>
      <pubDate>Thu, 11 Feb 2010 09:44:50 -0600</pubDate>
      <description>&lt;a href=&quot;http://www.lauranoah.com/Site/Media/itbounce-9.m4a&quot;&gt;&lt;img src=&quot;http://www.lauranoah.com/Site/Podcast/Media/64.5,0,378,378cc0c52ea_28cccf52_546c66e8_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:157px; height:157px;&quot;/&gt;&lt;/a&gt;Hello and welcome to the second podcast for UAB’s Music Appreciation-MU120.  Today we will be listening to a few examples of Baroque music.  For the test you are required to provide the full title and the composer’s last name for the listening portion of the exam.  Lets begin.&lt;br/&gt;&lt;br/&gt;	1.	L'incoronazione Di Poppea, Act III, Scene 3, &amp;quot;Innocente Son Io&amp;quot; &lt;br/&gt;    by Claudio Monteverdi&lt;br/&gt;2. L'incoronazione Di Poppea, Act I, Scene 4, &amp;quot;Speranza, Tu Mi Vai&amp;quot;      by Claudio Monteverdi&lt;br/&gt;3. Dido and Aeneas - Atto III, Scena II: &lt;a href=&quot;Entries/2010/2/11_MU120Podcast2_files/Dido%27s%20Lament.mp3&quot;&gt;Dido's Lament&lt;/a&gt;      by Henry Purcell&lt;br/&gt;4. Come, Ye Sons Of Art Away, Chaconne      by Henry Purcell&lt;br/&gt;5. Cantata No. 140, Wachet Auf, BWV 140, &amp;quot;Gloria Sei Dir Gesungen&amp;quot;      by Johann Sebastian Bach&lt;br/&gt;6. Orchestral Suite No. 2 In B, BWV 1067, &amp;quot;Badinerie&amp;quot;      by Johann Sebastian Bach&lt;br/&gt;7. Flute Sonata No. 2 In E Flat, BWV 1031, &amp;quot;Siciliano&amp;quot;      by Johann Sebastian Bach&lt;br/&gt;8. The Well-Tempered Clavier, Book I, Prelude And Fugue No. 1 In C, BWV 846, Prelude      by Johann Sebastian Bach&lt;br/&gt;9. Messiah, No. 9, &amp;quot;O Thou That Tellest&amp;quot;      by George Frideric Handel&lt;br/&gt;10. Samson, &amp;quot;Let The Bright Seraphim&amp;quot;      by George Frideric Handel&lt;br/&gt;11. Violin Concerto In E, Op. 8/1, RV 269, &amp;quot;The Four Seasons (Spring)&amp;quot; - 1. Allegro      by Antonio &lt;a href=&quot;Entries/2010/2/11_MU120Podcast2_files/Vivaldi.mp3&quot;&gt;Vivaldi&lt;/a&gt;&lt;br/&gt; Most of the musical examples provided are found in your CD set that goes with the text.  I have provided a link to mp3s of the musical examples not in the CD set.  Those links are underlined within the above text. </description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Laura Noah</itunes:author>
      <itunes:duration>00:17:17</itunes:duration>
      <itunes:subtitle>Hello and welcome to the second podcast for UAB’s Music Appreciation-MU120.  Today we will be listening to a few examples of Baroque music.  For the test you are required to provide the full title and the composer’s last name for the listeni</itunes:subtitle>
      <itunes:summary>Hello and welcome to the second podcast for UAB’s Music Appreciation-MU120.  Today we will be listening to a few examples of Baroque music.  For the test you are required to provide the full title and the composer’s last name for the listening portion of the exam.  Lets begin.&#13;&#13;	1.	L'incoronazione Di Poppea, Act III, Scene 3, &quot;Innocente Son Io&quot; &#13;    by Claudio Monteverdi&#13;2. L'incoronazione Di Poppea, Act I, Scene 4, &quot;Speranza, Tu Mi Vai&quot;      by Claudio Monteverdi&#13;3. Dido and Aeneas - Atto III, Scena II: Dido's Lament      by Henry Purcell&#13;4. Come, Ye Sons Of Art Away, Chaconne      by Henry Purcell&#13;5. Cantata No. 140, Wachet Auf, BWV 140, &quot;Gloria Sei Dir Gesungen&quot;      by Johann Sebastian Bach&#13;6. Orchestral Suite No. 2 In B, BWV 1067, &quot;Badinerie&quot;      by Johann Sebastian Bach&#13;7. Flute Sonata No. 2 In E Flat, BWV 1031, &quot;Siciliano&quot;      by Johann Sebastian Bach&#13;8. The Well-Tempered Clavier, Book I, Prelude And Fugue No. 1 In C, BWV 846, Prelude      by Johann Sebastian Bach&#13;9. Messiah, No. 9, &quot;O Thou That Tellest&quot;      by George Frideric Handel&#13;10. Samson, &quot;Let The Bright Seraphim&quot;      by George Frideric Handel&#13;11. Violin Concerto In E, Op. 8/1, RV 269, &quot;The Four Seasons (Spring)&quot; - 1. Allegro      by Antonio Vivaldi&#13; Most of the musical examples provided are found in your CD set that goes with the text.  I have provided a link to mp3s of the musical examples not in the CD set.  Those links are underlined within the above text. </itunes:summary>
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    <item>
      <title>MU120podcast1</title>
      <link>http://www.lauranoah.com/Site/Podcast/Entries/2010/1/19_MU120podcast1.html</link>
      <guid isPermaLink="false">ac5ac9c7-3eb3-40e9-88ea-715f86aa8c75</guid>
      <pubDate>Tue, 19 Jan 2010 19:59:48 -0600</pubDate>
      <description>&lt;a href=&quot;http://www.lauranoah.com/Site/Media/itbounce.m4a&quot;&gt;&lt;img src=&quot;http://www.lauranoah.com/Site/Podcast/Media/0,32.5,300,30030e4d250_cdf3fe86_90b456e4_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:157px; height:157px;&quot;/&gt;&lt;/a&gt;Hello, welcome to the first podcast for UAB’s Music Appreciation Class MU120.  Contained in the podcast are all the Listening Examples for Exam #1&lt;br/&gt;As a reminder, for the exam, you will be required to identify the Title and Composer of the musical example.  For this podcast I have provided additional information to assist you in relating the terms covered in class to the musical examples.  The musical examples come from the Enjoyment of Music 4 CD set, the Enjoyment of Music Student  Resource DVD, and my personal library.  Let’s begin...&lt;br/&gt;&lt;br/&gt;1.“&lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Greensleeves.mp3&quot;&gt;Greensleeves.mp3&lt;/a&gt;” (a folksong).  (Note the piece begins on an upbeat, is in sextuple meter and is an example of Binary Form.)&lt;br/&gt;&lt;br/&gt;2. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Beethoven%20Symphony%20No.%209.mp3&quot;&gt;Beethoven Symphony No. 9.mp3&lt;/a&gt;“Ode to Joy” (conjunct melody with a wavelike contour)&lt;br/&gt;&lt;br/&gt;3.&lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Ride%20of%20the%20Valkyries.mp3&quot;&gt;Ride of the Valkyries.mp3&lt;/a&gt; by Richard Wagner. (disjunct melody)&lt;br/&gt;&lt;br/&gt;4.&lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Surprise%20Symphony%20No.%2094.mp3&quot;&gt;Surprise Symphony No. 94.mp3&lt;/a&gt; in G Major by Franz Joseph Haydn, “Surprise Symphony”.  (the piece begins in Major w/ the melody outlining the tonic triad.)&lt;br/&gt;&lt;br/&gt;5. Beethoven’s &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Moonlight%20Sonata.mp3&quot;&gt;Moonlight Sonata.mp3&lt;/a&gt; (an example of minor tonality)&lt;br/&gt;&lt;br/&gt;6. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Kyrie.mp3&quot;&gt;Kyrie.mp3&lt;/a&gt; by Hildegard von Bingen (A monophonic piece: a singular melodic line without accompaniment also non-metric)&lt;br/&gt;&lt;br/&gt;7. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/When%20the%20Saints.mp3&quot;&gt;When the Saints.mp3&lt;/a&gt; Go Marching In (an example of Heterophonic music)&lt;br/&gt;&lt;br/&gt;8. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Brahms%20Violin%20Concerto.mp3&quot;&gt;Brahms Violin Concerto.mp3&lt;/a&gt; In D, Op. 77, III, by Brahms (an example of Homophonic music)&lt;br/&gt;&lt;br/&gt;9. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Brandenburg%20Concerto%20No.%201.mp3&quot;&gt;Brandenburg Concerto No. 1.mp3&lt;/a&gt; No. 1 by J.S. Bach (an example of a multi-voiced Polyphonic texture)&lt;br/&gt;&lt;br/&gt;10. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Alla%20Hornpipe.mp3&quot;&gt;Alla Hornpipe.mp3&lt;/a&gt; from “Water Music” by Handel (an example of a Homorhythmic texture)&lt;br/&gt;&lt;br/&gt;11. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/Unsquare%20Dance.mp3&quot;&gt;Unsquare Dance.mp3&lt;/a&gt; by Dave Brubeck (an example of additive meter)&lt;br/&gt;&lt;br/&gt;12. &lt;a href=&quot;Entries/2010/1/19_MU120podcast1_files/The%20Art%20of%20Fugue.mp3&quot;&gt;The Art of Fugue.mp3&lt;/a&gt;: Contrapunctus 1 by J.S. Bach (an example of imitation)</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Laura Noah</itunes:author>
      <itunes:duration>00:15:53</itunes:duration>
      <itunes:subtitle>Hello, welcome to the first podcast for UAB’s Music Appreciation Class MU120.  Contained in the podcast are all the Listening Examples for Exam #1&#13;As a reminder, for the exam, you will be required to identify the Title and Composer of the music</itunes:subtitle>
      <itunes:summary>Hello, welcome to the first podcast for UAB’s Music Appreciation Class MU120.  Contained in the podcast are all the Listening Examples for Exam #1&#13;As a reminder, for the exam, you will be required to identify the Title and Composer of the musical example.  For this podcast I have provided additional information to assist you in relating the terms covered in class to the musical examples.  The musical examples come from the Enjoyment of Music 4 CD set, the Enjoyment of Music Student  Resource DVD, and my personal library.  Let’s begin...&#13;&#13;1.“Greensleeves.mp3” (a folksong).  (Note the piece begins on an upbeat, is in sextuple meter and is an example of Binary Form.)&#13;&#13;2. Beethoven Symphony No. 9.mp3“Ode to Joy” (conjunct melody with a wavelike contour)&#13;&#13;3.Ride of the Valkyries.mp3 by Richard Wagner. (disjunct melody)&#13;&#13;4.Surprise Symphony No. 94.mp3 in G Major by Franz Joseph Haydn, “Surprise Symphony”.  (the piece begins in Major w/ the melody outlining the tonic triad.)&#13;&#13;5. Beethoven’s Moonlight Sonata.mp3 (an example of minor tonality)&#13;&#13;6. Kyrie.mp3 by Hildegard von Bingen (A monophonic piece: a singular melodic line without accompaniment also non-metric)&#13;&#13;7. When the Saints.mp3 Go Marching In (an example of Heterophonic music)&#13;&#13;8. Brahms Violin Concerto.mp3 In D, Op. 77, III, by Brahms (an example of Homophonic music)&#13;&#13;9. Brandenburg Concerto No. 1.mp3 No. 1 by J.S. Bach (an example of a multi-voiced Polyphonic texture)&#13;&#13;10. Alla Hornpipe.mp3 from “Water Music” by Handel (an example of a Homorhythmic texture)&#13;&#13;11. Unsquare Dance.mp3 by Dave Brubeck (an example of additive meter)&#13;&#13;12. The Art of Fugue.mp3: Contrapunctus 1 by J.S. Bach (an example of imitation)</itunes:summary>
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